Bardo (In Extremis), 1997. Shot and Directed by Douglas Rosenberg. Choreographed and performed by Molissa Fenley, the hand held camera moves with the dancer, probing, searching and finding a view of the dance not possible in the theater. Fenley's unique style of movement is seen in extreme close up, accentuating her muscularity and particular use of the hands and limbs. The score is by Somei Satoh.